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Vulgar Little Theatre Company presents what could be called an extreme bastardization of Moliere's play The Doctor In Spite of Himself at 40th Street Stage. The play by Moliere (if you want to still call it that) has been adapted by Frankie Little Hardin and leaves you with 'little' of Moliere.
The play follows some of the basic storyline and the text has been adapted and updated quite a lot. We find ourselves out in the woods with Marty (JEANETTE RAINEY) and Sid (BRIAN WRESTLER). Marty is upset with her husband and decides to seek revenge on him... or in this case, play a trick since she never appears to reach the heights of revenge in her performance. To do this, Marty tells passing strangers (JOHN CAUTHEN and J.R. HECKLER) who are looking for a doctor that her husband Sid is one. They find Sid and take him to their master Gerry (BILL ARMSTRONG). Gerry is desperate to find out what is wrong with his daughter Lucy (JESSIE PINSKEY) who has lost the ability to speak. Lucy must regain her voice in order to marry her promised husband, but what she really wants is to marry Lee (GEORGE NELSON) the love of her life.
Now let me say I have no problem with updating, adapting, or even
altering classics as long as there is a some focus, structure or
concept behind it. Needless to say... there wasn't much concept here.
This production takes us out of Moliere and into the world of improvisation, audience participation, more improvisation, cheap laughs, and yet more improvisation. The audience participation - which includes an audience member being pulled on stage to read cue cards - does bring a small amount of amusement... however, that is the only time. The rest of the improv seems trite and contrived and actually over rehearsed. Most of it comes across as if the cast going for what they think will an easy laugh and are left to their own demise.
Cast members who still manage to shine amongst all of this: BRIAN WRESTLER as Sid who does find many funny moments and reminds me of Al Bundy; BILL ARMSTRONG delivers probably one of his better performances; and JESSIE PINSKEY is best when she is playing the mute daughter - and I don't mean that in an insulting way. She is funny when making over zealous sounds in place of words. She adds much needed humor to the show.
I think the real problem with this production is that, although the cast is doing its best, they are missing a director with focus. Is it Moliere? Improv theatre? Sex farce? This manages to be all and none of those at the same time.
If you want cheap laughs and don't want to concentrate at all then The Doc, Despite Hisself is a naughty little comedy that only costs 10 bucks. Reservations 757-423-4084.
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