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Yoder’s / CNU’s / Ferguson Center’s new theatre company,
Tidewater Regional Repertory offers up their first production in a strong,
lovely, and occasionally moving way. The evening was a patchwork of the lovely
and not-quite-so-lovely, but the end product did end up revealing a whole that
promises to entertain and enchant.
I began the evening a bit wary, since I and my party entered
Yoder Barn approximately ten minutes before 8pm and yet we were “greeted” by an
overly-aggressive usher who all but reprimanded us for showing up so late. No
biggie, I suppose, but not a great way to begin the evening. (Frankly, I’m only
writing it here in hopes that the House Manager will see it. Mwahaha.)
Tidewater Rep has chosen
a perfect season for their space. Quilters
is a musical based on the lives of American pioneer women, Of Mice & Men teaks place in a series of locations that include
a stable and barn, and The Foreigner
(one of my personal favorites) takes place in a Georgia fishing lodge. All
perfect shows for a barn venue.
Yoder Barn has been remodeled a few times in the past
several years. The current incarnation had what appears to be an adjustable
seating section where the “proscenium” stage traditionally lives, and a
triangular shaped stage in front of that. The end result is an angled front and
seating on three sides. Overall, my thought about this setup was “awkward”. The
majority of the audience sits in “front”, which of course leads the director
and actors to favor that side. And there’s still the flaw that Yoder has had
since it’s been a theatre – most of the audience is facing sideways, leading
one mother of a crick in the neck. However, with all of that, the location of
the pit band was fantastic, and a few of the scenes/monologues were placed on
the other end of the house… a great relief to my neck.
Staging was really superb  Staging was really superb overall, and many beautiful
pictures were created. Director Rebecca Taylor made smart and creative use of
space and props, moving us easily from location to location. Quilters is a review of sorts, so this
clarity was vital. My only staging complaint is more along the lines of a music
note: When the women were close together, the blend was beautiful. When they
got too far away from each other, the blend was all but gone.
The voices were a variety (should I use the patchwork
metaphor again?) of textures, timbres, and well… talents. Local voices shone
through as some of the strongest of the evening. Kimberly Lee, Lisa Helmi
Johanson, Caroline Rigby, Laura Lloyd - all were a beautiful example of Hampton
Roads vocal talent.
Acting proficiency had just as much variety, but the star of
the evening was Jackie Prucha. From her first word, she branded herself a true
professional and an incredibly believable actor. I dearly look forward to
seeing her again as Betty in The
Foreigner. Many of the scenes were endearing or sweet, usually the ones that were told mostly in song. On the other side of the quilt however, other tender and moving
moments were often glossed over, made “funny”, or just didn’t connect. A
problem, or rather, a difficulty with
this show is that it is a series of vignettes. Actors have very little time to
establish character or history and often have to begin in the middle, so to
speak. However, this will probably be less of a problem for audience members who are less familiar with other productions of this show.
Although I admit this was not the most moving or relatable
production of Quilters I’ve seen, it
is definitely still a good show. It is a strong production with some brilliant
staging that speaks well of the shows to come. Please come out and support this
very promising new company. At the very least, you’ll be entertained and gain a
new appreciation for the work, and love, that goes into stitching a quilt.
Quilters runs
through June 28th at the Yoder Barn in Newport News. Call 757-594-8752 or go to http://trr.cnu.edu/ for reservations.
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