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Pfac offers teen art classes
Anime – Cartooning Now! is one of the new summer courses the Peninsula Fine Art Center’s Studio Art School is offering between July 8 and August 8 for teens ages 13-17.

Professional artists teach teens to use a variety of mediums and advanced techniques in pottery and cartooning. Education Manager Julie Williams is particularly excited to offer Anime – Cartooning Now!, “this cartooning workshop is being led by Rob Dewing of Smithfield, VA, a recent graduate of The School of Visual Arts in New York with a degree in cartooning.” Dewing has studied under Phil Jimenez, artist of DC Comic’s Wonder Woman who also worked on Marvel's The Amazing Spider-man and under Klaus Janson, most noted for his inking with Frank Miller for the Daredevil series and the The Dark Knight Returns graphic novel.

In pottery and ceramics, Williams says, “we’re offering the class, Light Up the Night,Beth Turbeville is teaching advanced techniques on the potter’s wheel in Teen Wheel.” Turbeville is a professional artist who has been teaching at Pfac for ten years and managing Pfac’s Ceramics Studio for eight years. where form really does follow function in the design and creation of table lamps and nightlights out of clay.

Registration can be completed in person or online www.pfac-va.org. Each teen course costs $100 for Pfac members and $115 for non-members.

The schedule for these courses is as follows:

  • Anime – Cartooning Now!, July 8, 10, 15 and 17 from 2-4 pm, teaches the drawing technique, coloring style and story development for cartooning.
  • Light Up the Night, July 9-12 from 1:30-4:30 pm, uses pottery techniques to create functional and beautiful lamps and nightlights.
  • Teen Wheel, August 5-8 from 1:30-4:30 pm, involves advanced techniques on the pottery wheel.

For younger artists, ARTventures Summer Camps offer multiple sessions. These classes are only a few among many that Pfac’s Studio Art School offers throughout the year. Classes are offered for artists of all ages and skill levels, ranging from one day to ten weeks in courses such as painting, drawing, photography, ceramics and art appreciation.

Pfac is located at 101 Museum Drive, in Mariners’ Museum Park, Newport News.  For more information, call 757-596-8175 or visit www.pfac-va.org.
 

Man of LaMancha | Print |  E-mail
Written by M. J. Garland   
Wednesday, 09 May 2007

ImageMan of LaMancha has always rated amongst my favorite musicals and overall Smithfield Little Theatre has met my expectations. For those who may not know, Man of LaMancha is based on the novel Don Quixote, written by Miguel de Cervantes about a dreamer, idealist and optimist much like Candide. We follow his journey as he battles windmills, knights and moors all to defend the honor of his Dulcinea.

This production, like most LaMancha's, is a unit set with minor changes to suggest other locations throughout the musical. We find ourselves in a dungeon awaiting trial for the Inquisition. Okay, so the setting doesn’t sound like the upbeat location of a Cole Porter piece but it is beautifully designed by Robert Cox, Elton and Peggy Lane. In this dungeon we find the prisoners (who all play multiple roles) awaiting trial, and as the drawbridge descends we meet Miguel de Cervantes who has been brought in to stand trial. However, before he goes before the Inquisition he must first stand trial before his fellow prisoners in the dungeon. To prove his innocence and save one of his precious belongings (his manuscript), he takes us into the world of Alonso Quijana - a man who is “boney, hollow-faced, who’s eyes burn with the fire of inner-vision” - the world of DON QUIXOTE DE LAMANCHA. 

 
I have to say when I first saw who was playing Don Quixote I thought “way too young”. Well, I love to be proven wrong and I was. Mr. Stacy gives a performance that amazed me. Though I will say his voice wasn’t as strong as I would of like in “The Impossible Dream” he was a wonderful Don Quixote. His change from the prisoner to the old and mentally failing was without question

one of the best Quixote’s I’ve seen in any community theatre around the country.

one of the best Quixote’s I’ve seen in any community theatre around the country.
 
I wish I could be so nice about the leading female - Arna Majcher who played Aldonza/Dulcinea. This role is vocally demanding, probably one of the most vocally demanding roles you will find in musical theatre. Aldonza requires in reality someone who is comfortable in a 4 to 4 1/2 octave range. Unfortunately the strength was missing from the higher register for Mrs. Majcher. Her performance was okay as Aldonza, but even there the passion of the “kitchen wench” who “was spawned in a ditch” as she says was lacking.
 
Other cast members who come to mind are Thomas Mierle who plays Anselmo and Barber is quite good. It was refreshing to see someone in the cast with the ability for some of the fun physical comedy that LaMancha holds in the both the Barber and the fight sequence. Another character who was fun to watch and listen to was Padre played by Stephen Mason. Mr. Mason’s voice was very enjoyable and appeared very at ease when he was singing. 
 
Last but not least is my favorite character Sancho Panza played by Peter Natale. This role I have always found amusing and he has the funniest songs written for him. Mr. Natale does well with Sancho. I can’t really comment on his singing ability since this is one of those roles where much of that hides behind the character voice. 
 
This is the first production I have ever seen at SLT and it will not be my last. What a wonderful space and a wonderful group of people amongst the volunteers I met that evening. Please take the time to go see it, I know it was worth my 45 minute drive to Smithfield and if this is the quality happening there then I’ll be making the trek again.
 
 

 

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