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Pfac offers teen art classes
Anime – Cartooning Now! is one of the new summer courses the Peninsula Fine Art Center’s Studio Art School is offering between July 8 and August 8 for teens ages 13-17.

Professional artists teach teens to use a variety of mediums and advanced techniques in pottery and cartooning. Education Manager Julie Williams is particularly excited to offer Anime – Cartooning Now!, “this cartooning workshop is being led by Rob Dewing of Smithfield, VA, a recent graduate of The School of Visual Arts in New York with a degree in cartooning.” Dewing has studied under Phil Jimenez, artist of DC Comic’s Wonder Woman who also worked on Marvel's The Amazing Spider-man and under Klaus Janson, most noted for his inking with Frank Miller for the Daredevil series and the The Dark Knight Returns graphic novel.

In pottery and ceramics, Williams says, “we’re offering the class, Light Up the Night,Beth Turbeville is teaching advanced techniques on the potter’s wheel in Teen Wheel.” Turbeville is a professional artist who has been teaching at Pfac for ten years and managing Pfac’s Ceramics Studio for eight years. where form really does follow function in the design and creation of table lamps and nightlights out of clay.

Registration can be completed in person or online www.pfac-va.org. Each teen course costs $100 for Pfac members and $115 for non-members.

The schedule for these courses is as follows:

  • Anime – Cartooning Now!, July 8, 10, 15 and 17 from 2-4 pm, teaches the drawing technique, coloring style and story development for cartooning.
  • Light Up the Night, July 9-12 from 1:30-4:30 pm, uses pottery techniques to create functional and beautiful lamps and nightlights.
  • Teen Wheel, August 5-8 from 1:30-4:30 pm, involves advanced techniques on the pottery wheel.

For younger artists, ARTventures Summer Camps offer multiple sessions. These classes are only a few among many that Pfac’s Studio Art School offers throughout the year. Classes are offered for artists of all ages and skill levels, ranging from one day to ten weeks in courses such as painting, drawing, photography, ceramics and art appreciation.

Pfac is located at 101 Museum Drive, in Mariners’ Museum Park, Newport News.  For more information, call 757-596-8175 or visit www.pfac-va.org.
 

Fairly Stupid Stories - O.D.U. Theatre | Print |  E-mail
Written by Jeff Corriveau   
Wednesday, 18 October 2006
ImageOld Dominion University and PlayTime Theatre presented Fairly Stupid Stories this weekend at the Stables Theatre at O.D.U. This original adaptation opened the O.D.U. Theatre Department's 2006-2007 season.

What are Fairly Stupid Stories? Well they're just that - stupid stories that we may have heard or read as a child but were never adapted or told often throughout history... whether it be by word of mouth, television or movies. For example, how many of us remember the story of The Bird, The Mouse and The Sausage? Exactly. These stories are the ones we don't remember or may have never heard of because they are stupid. Well, not to the O.D.U. Children's Group, PlayTime Company - a performing group that creates interactive theatre for children. They even ask the children to bring those annoying other theatre goers they call 'parents'.

The writers of this production (consisting of college students Jordan Noble, Matthew Galloway, Sarah Bailey, The PlayTime Company members and adjunct faculty member Frankie Little Hardin - who is also the director) find humor in these stories and even ask the question, "would these be less stupid if told differently?" The answer, we find out, is NOT REALLY.

There are many moments in this production that are found quite hilarious by the children and even by the adults. The physical comedy seems to keep the students attention while the intellectual wit keeps the adults amused. The intellectual humor is found in the characters' names for example, Ham (Hamlet), Ophie (Ophelia), Lady M (Lady MacBeth) are just a few, but my personal favorite is Young Will - who by the end the audience realizes is Young William Shakespeare.

Image There are a few performances that really caught my attention. First and foremost is Sara Herring who plays Witch. This young lady has such wonderful physical and facial expressions that can make any child (and in this case any adult)  laugh. Ms. Herring has a gift for children's theatre and she might want to consider persuing it. Other remarkable cast members are George Nelson "Ham" with his overly depressed and monotone delivery of many lines which leans to the point of absurd and often quite amusing. Another mention goes to W. Ryan Ziegler who plays Clown. Yes, his character is a clown who speaks very little but is at all times very physical and funny. Sometimes he is the only thing keeping the children laughing.

There are a few problems with this production. First the script is a little weak, however it is workshop piece and has some highs and some lows as expected with any workshop script. The biggest problem in this is the direction. We the audience are asked to participate during the show, especially the children as it is an interactive piece. Well, there isn't much interaction in it. Children are asked a few questions and even become trees at one point, but that is all in the one hour and five minutes we sit in the audience. There are other opportunities for the children to take part that are all missed or omitted - as toy soldiers or choosing what people turn into when the Witch casts a spell.

Another issue is the pacing is slow. For a children's show, the pauses between each line need to be cut - just get on with it to help keep the audience's attention. The director (and writers) should pay attention to the children in the audience and realize when they are not laughing that much or are not fully attentive. Last but not least,

this show does contain some humor that many may not find appropriate for children.

this show does contain some humor that many may not find appropriate for children. The biggest example of this is the character (who played by a man, which is fine) who lifts and bounces his "stuffed" female breasts in very large motions using his hands or what appeared to be sticks. Yes, the audience laughed but it is cheap humor and probably inappropriate for a children's show.

I do feel this group has potential and if they can work on pacing and interaction with the children their next production will be even better. O.D.U. could develop yet another outlet for exposing children to the arts. Please try to catch O.D.U.'s PlayTime Theatre Company the next time they are performing.

 

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