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Pfac offers teen art classes
Anime – Cartooning Now! is one of the new summer courses the Peninsula Fine Art Center’s Studio Art School is offering between July 8 and August 8 for teens ages 13-17.

Professional artists teach teens to use a variety of mediums and advanced techniques in pottery and cartooning. Education Manager Julie Williams is particularly excited to offer Anime – Cartooning Now!, “this cartooning workshop is being led by Rob Dewing of Smithfield, VA, a recent graduate of The School of Visual Arts in New York with a degree in cartooning.” Dewing has studied under Phil Jimenez, artist of DC Comic’s Wonder Woman who also worked on Marvel's The Amazing Spider-man and under Klaus Janson, most noted for his inking with Frank Miller for the Daredevil series and the The Dark Knight Returns graphic novel.

In pottery and ceramics, Williams says, “we’re offering the class, Light Up the Night,Beth Turbeville is teaching advanced techniques on the potter’s wheel in Teen Wheel.” Turbeville is a professional artist who has been teaching at Pfac for ten years and managing Pfac’s Ceramics Studio for eight years. where form really does follow function in the design and creation of table lamps and nightlights out of clay.

Registration can be completed in person or online www.pfac-va.org. Each teen course costs $100 for Pfac members and $115 for non-members.

The schedule for these courses is as follows:

  • Anime – Cartooning Now!, July 8, 10, 15 and 17 from 2-4 pm, teaches the drawing technique, coloring style and story development for cartooning.
  • Light Up the Night, July 9-12 from 1:30-4:30 pm, uses pottery techniques to create functional and beautiful lamps and nightlights.
  • Teen Wheel, August 5-8 from 1:30-4:30 pm, involves advanced techniques on the pottery wheel.

For younger artists, ARTventures Summer Camps offer multiple sessions. These classes are only a few among many that Pfac’s Studio Art School offers throughout the year. Classes are offered for artists of all ages and skill levels, ranging from one day to ten weeks in courses such as painting, drawing, photography, ceramics and art appreciation.

Pfac is located at 101 Museum Drive, in Mariners’ Museum Park, Newport News.  For more information, call 757-596-8175 or visit www.pfac-va.org.
 

Baffled by “Greetings!” | Print |  E-mail
Written by Wendy Jade   
Saturday, 13 January 2007
ImageHave you ever been to see a production and were thoroughly entertained and amused but, in the end, had no idea what it was about?  This is how I felt about the Peninsula Community Theatre’s production of Greetings! by Tom Dudzick.

The director’s notes said this show was supposed to be about “our over anxious, expectation-driven, theologically scrambled Christmas celebration as well as our yearning to reconcile individual faith with the mystery and wonder of God”. A very tall order to fill in two acts, I thought.  What the story meant to accomplish by sending a Jewish atheist girl home for Christmas to her boyfriend’s Catholic home (where his mentally challenged brother also resides), I cannot wrap my head around.

The opening was a bare set except for two of the main characters sitting in airline seats.  The dialog from Andi Gorski, played by Dale Payne, and Randi Stein, played by Sarah Wilde, was forced and felt very unnatural.  I found myself thinking that I would not be able to sit through another production of high school quality acting.

ImageThe day was saved for me when Lydia Mugler come onstage for the second scene as the mother, Emily Gorski.  I had recently seen her in another local production and knew that her comedic timing would propel the story forward and keep me interested.  I was pleasantly surprised then when I got the bonus of Mike White as her Archie Bunker-esque husband Phil Gorski.  They had chemistry between them that was unmistakable and would lead you to believe that they really had been married all these years.  The sarcastic banter between them made for some great laughable moments that were reminiscent of any conversation you might eavesdrop on from a couple married that long. 

The John Goodman-looking Jonathan Manning did a nice job as the mentally challenged brother, Mickey Gorski.  It was a difficult role to fulfill I am sure, having to go through the transformation of mentally challenged to “Lucious”, the channeled super being, but he pulled it off with an unassuming realism that was not insulting or over the top in any way.  He changed not only his body language and speech pattern but also gave “Lucious” a British accent to make sure we got it.

The set design was wonderful.  I felt that I really was in the home of the Gorski’s in Pennsylvania.  There were knick-knacks and chochkys and tacky blue-striped wallpaper that reeked circa 1970.  There were even the needlepoint and knitted stuff that every grandmother owns.

The set designer obviously paid attention to detail.

The set designer obviously paid attention to detail. The lighting schemes were basic... pretty much on and off until the end when the Christmas tree became the center of attention for one brief moment and the lights were dimmed for this effect.  It was really all that was needed in this production and it suited it well.  As did the traditional Christmas music played in between scenes.  It was minimalist and got the job done to give you the feeling of the season.

Over all it was a cute production and I was entertained and had some good laughs, but in the end I turned to my teenage daughter who came with me and said “do you know what that was suppose to be about?” and she said “no, what?” That’s kind of how I felt too.

 

comments

Wendy Jade speaks as if most of her acting experience has be on cruise ships full of old people who only see live entertainment at sea and are in bed right after the early buffet. She should really broaden her scope a bit.

Posted by Brant Stookey, on 04/19/2007 at 09:01

The reviewer has his opinions, and I have mine. In reality, don't we all love that? This was a fantastic show to run near Christmas. Sure, there were a few rough spots, but overall, Barbara and I left that night with that warm glow from the message of the play. The spirit of tolerance and understanding. Having been stage-managed by Sarah, it was good to see her 'on the other side.' Dale Payne gave a very natural performance--I bought his character, Andy-and the whole Gorki family. Nice ensemble.

Posted by peter yanson, on 03/13/2007 at 08:23

I'm not sure that Jonathan would appreciate being compared to John Goodman. He has lost a lot of weight in the past year.

Posted by Ron Milovac, on 01/27/2007 at 13:14

My 17 year old son and I saw 'Greetings' and got the point. But what would he know; he's just a third year drama student. Based on her first two paragraphs it sounds like the reviewer went into the theatre with the idea already that the play wouldn't impress her. Maybe she was too wrapped up in the holiday rushing-abouts of her own life to enjoy the play. I can't understand how anyone could be 'baffled' by it.

Posted by MICKIE NANCE, on 01/26/2007 at 21:51

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