| Evening | | Print | |
| Written by Jon Plante | |
| Wednesday, 18 July 2007 | |
Evening is a slow yet intriguing film with a stellar cast... Therefore, it's just a shame that their performances were merely "good".
Evening is a film about lost loves, family ties, and burdens of endearment that test even the strongest binds. The story begins with a beautiful landscape, perfectly framed, showing cinematographer-turned-director Lajos Koltai's skill with a camera. We see a girl floating in a small sail boat looking around, while our protagonist (Venassa Redgrave ) stands on the shore watching her. The girl keeps saying, “Harris, Where’s Harris?” Harris becomes the focal point for this slow yet captivating story about a secret long held and finally revealed. Ann Lord ( Redgrave ) continues the story by telling her two daughters about a murder which she was a party to. As we are thrust back and forth between the present and 50 years past we watch as an old and dying Ann explains her memories through dreams and interaction with her troubled daughters.
The film's cinematography, production design, and mystery keeps you slightly enthralled but the end plot is foreseen and the meat of the story told too many times for me to give this any more than 3 stars. If you are a lover of films like The Notebook and The Bridges of Madison County then go see this movie. If not, save your hard earned money for the rental, when the cast itself is worth the price.
Evening is currently showing at the Naro Cinema in Norfolk. |






Evening is a slow yet intriguing film with a stellar cast... Therefore, it's just a shame that their performances were merely "good".
The film is packed with A-grade actors yet they fall staggeringly short of the performances that made them A-quality to begin with. 